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videos.sapo.pt
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LER AÇORES programa 32 Ricardo Mourade MEDIA9 AÇORESSem visualizações
LER AÇORES programa 31 Vasco Pereira da Costade MEDIA9 AÇORESSem visualizações
8:22LER AÇORES programa 29 Natalia Almeidade MEDIA9 AÇORESSem visualizações
8:25LER AÇORES programa 28 Jose Nuno da Camara Pereirade MEDIA9 AÇORES3 visualizações-- Chrys Chrystello, An Aussie in the Azores /Um Australiano nos Açores,
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este é o hino popular não oficial da Austrália em várias versões
Waltzing Matilda Territory style – Ali Mills
http://www.youtube.com/watch_popup?v=WgLtzD6JxcA&vq=medium
VERSÃO DE ROLF HARRIS
http://www.youtube.com/watch?v=bl-YI44XYjI
versão de joan baez
http://www.youtube.com/watch?v=_E9Nu8JinM0
versão ROD STEWART
https://www.youtube.com/watch?v=Lvn2bi5fi9c
versão The Pogues
versão Kylie Minogue Sydney Olympics 2000
http://www.youtube.com/watch?v=QOfyHjRONLo
versão 2009 Australia Day com Wendy Matthews, John Schumann & Brian Cadd
versão king size em rock’n’roll
http://www.youtube.com/watch?v=h8UlIFmhie4
versão Dire Straits 1986 apresentados por Molly Meldrum
VERSÃO The Beatles
a letra (lyrics) na página seguinte
| www.imagesaustralia.com | ||
Once a jolly swagman camped by a billabong,
Under the shade of a Coolibah tree,
And he sang as he watched and waited till his billy boil,
You’ll come a Waltzing Matilda with me.
Waltzing Matilda, Waltzing Matilda,
You’ll come a Waltzing Matilda with me,
And he sang as he watched and waited till his billy boil
You’ll come a Waltzing Matilda with me.
………………..
Down came a jumbuck to drink at that billabong
Up jumped the swagman and grabbed him with glee,
And he sang as he shoved that jumbuck in his tucker bag
You’ll come a Waltzing Matilda with me.
Waltzing Matilda, Waltzing Matilda,
You’ll come a Waltzing Matilda with me,
And he sang as he shoved that jumbuck in his tucker bag
You’ll come a Waltzing Matilda with me.
…………………
Up rode the squatter mounted on his thorough-bred
Down came the troopers One Two Three
Whose that jolly jumbuck you’ve got in your tucker bag
You’ll come a Waltzing Matilda with me.
Waltzing Matilda Waltzing Matilda
You’ll come a Waltzing Matilda with me
Whose that jolly jumbuck you’ve got in your tucker-bag
You’ll come a Waltzing Matilda with me.
………………….
Up jumped the swagman sprang in to the billabong
You’ll never catch me alive said he,
And his ghost may be heard as you pass by that billabong
You’ll come a Waltzing Matilda with me.
Once a jolly swagman camped by a billabong,
Under the shade of a Coolibah tree,
And he sang as he watched and waited till his billy boil,
You’ll come a Waltzing Matilda with me.
Waltzing Matilda, Waltzing Matilda,
You’ll come a Waltzing Matilda with me,
And he sang as he watched and waited till his billy boil
You’ll come a Waltzing Matilda with me.
………………..
Down came a jumbuck to drink at that billabong
Up jumped the swagman and grabbed him with glee,
And he sang as he shoved that jumbuck in his tucker bag
You’ll come a Waltzing Matilda with me.
Waltzing Matilda, Waltzing Matilda,
You’ll come a Waltzing Matilda with me,
And he sang as he shoved that jumbuck in his tucker bag
You’ll come a Waltzing Matilda with me.
…………………
Up rode the squatter mounted on his thorough-bred
Down came the troopers One Two Three
Whose that jolly jumbuck you’ve got in your tucker bag
You’ll come a Waltzing Matilda with me.
Waltzing Matilda Waltzing Matilda
You’ll come a Waltzing Matilda with me
Whose that jolly jumbuck you’ve got in your tucker-bag
You’ll come a Waltzing Matilda with me.
………………….
Up jumped the swagman sprang in to the billabong
You’ll never catch me alive said he,
And his ghost may be heard as you pass by that billabong
You’ll come a Waltzing Matilda with me.
Waltzing Matilda Waltzing Matilda
You’ll come a Waltzing Matilda with me
And his ghost may be heard as you pass by that billabong
You’ll come a Waltzing Matilda with me.e.
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Gostaria que espreitassem:
http://margaridamadruga.blogspot.com/2013/07/os-quadros-da-minha-exposicao-ponta-do.html
http://margaridamadruga.blogspot.pt/2013/07/os-quadros-da-minha-exposicao-ponta-do.html
Abraços
Margarida Madruga
A
Exposição
“A Ponta do Pico”
de Margarida Bem Madruga
na Biblioteca Pública e Arquivo Regional João José da Graça
Margarida Bem Madruga cobriu a montanha do Pico de mantas, tintas e poesia.
A imponência da montanha é, diariamente, objecto de fruição estética. Nosso barómetro de todos os dias, a sua altitude máxima é de 2.351 metros de lava, mistério e maravilha, constituindo o ponto mais alto de Portugal. Nos flancos deste santuário ocorreram inúmeras erupções predominantemente efusivas. Ténues fumos brancos, visíveis na ponta do Pico, atestam que o vulcão não cessou ainda completamente a sua actividade.
A não menos vulcânica Margarida, arquitecta reformada e pintora no activo, lança, nesta exposição (patente ao público de 11 de Julho a 27 de Setembro) olhares sobre esta montanha que nunca apresenta duas vezes o mesmo aspecto, pois que a luz que a enforma está sempre em constante mutação.
A pintura é uma arte generosa, sabe-se. E, em Margarida Madruga, a arte é já o domínio da técnica. Com arte e com técnica, e recorrendo a tinta de esmalte acrílico sobre tela, a pintora abre a cortina do assombro e recria, reconstrói e reinventa a montanha do Pico através de múltiplas abrangências: novos ângulos, diferentes enquadramentos e outros modos de olhar.
Mas atenção: esta picarota não pinta o Pico que vê do alto da sua casa da rua Cônsul Dabney – ela pinta o Pico que sente na alma.
Erguendo-se do mar em beleza petrificada, a soberba montanha apodera-se dos nossos sentidos. O resultado salta à vista nestes quadros: aquele espectáculo de todo o ano apresenta-se em todo o seu esplendor pictórico, cénico e místico. E o que vemos quando olhamos a montanha? Um seio gigantesco com um apetecível mamilo? Um enorme falo eruptivo? Uma monumental estátua de basalto? Um fantasma extraordinário? Um gigante recortado de brumas? Mistério de fogo? Alma-mater? Sentinela? Farol? Barca? Cada um fará a sua leitura, porque a beleza das coisas está sempre no olhar de quem as vê.
Nesta exposição colhemos todos os efeitos de luz da colossal montanha, que agora está violeta, logo está cor de fogo. Mas também pode cobrir-se de negro e cinzento. Ou amanhecer em neve. Ou desfalecer em roxo, com a lua enorme a nascer por trás daquela nuvem surrealista…
Tal como o pico do Pico que coroa e/ou fura as nuvens, esta exposição de Margarida atrai e encanta e fascina realmente o olhar.
Victor Rui Dores
Publicada por Mar de Bemà(s) 23:51
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Outro filme semelhante, também da National Film Board of Canada, já legendado pela APOS está aqui emhttp://youtu.be/aaXl6m85dOY
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http://www.rtp.pt/noticias/index.php?article=666297&tm=4&layout=122&visual=61
O cantor Bana, conhecido como o ‘Rei da Morna’, faleceu esta madrugada no Hospital de Loures, vítima de doença prolongada.
Esta Embaixada informa o seguinte:
VELÓRIO
14 de julho, domingo, a partir das 13 horas, na Igreja da Sagrada Família em Benfica
MISSA DE CORPO PRESENTE
15 de julho, segunda-feira, 13 horas na Igreja da Sagrada Família em Benfica
FUNERAL
15 de Julho, segunda-feira, 14.15 horas, para o Cemitério do Alto de São João (onde o corpo será cremado, segundo o desejo manifestado em vida).
www.youtube.com
www.youtube.com
__._,_.___
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siaram.azores.gov.pt
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“Cape Verde’s Jewish history stays alive”:
Preservation of memory is critical to the Jewish psyche, and in Cape Verde
there is an uplifting story of remembrance that defies the all-too-common
narrative of anti-Semitism and persecution. Hebrew and Portuguese
inscriptions grace typical Sephardic Jewish tombstones in four small
cemeteries on three islands in Cape Verde. Many reflect the date of death
according to the Hebrew calendar and place of birth such as Tangiers or
Mogador (now Essaouira), in Morocco. The cemeteries have fallen into
disrepair, and since 2008, when I founded the Cape Verde Jewish Heritage
Project (CVJHP), I have worked with a remarkable assortment of people –
Jews and Christians, and even one Muslim monarch – to restore and preserve
them.
I first learned about Cape Verde’s Jewish roots through a scholarship
program I managed for Portuguese-speaking Africa in the late 1980s. Many
of my students bore Jewish surnames, such as Levy, Benchimol, Anahory and
Wahnon, which piqued my curiosity. As a Jew fascinated by Sephardic
history and culture, who also loves Cape Verde and its people, I was moved
by the poignant remnants of this small but influential Jewish community –
remnants that bespeak an important but under-documented chapter in
African/Jewish history.
An archipelago of ten small islands about 300 miles off the coast of
Senegal, Cape Verde is predominantly Catholic as a result of Portuguese
colonial rule. However, in the 19th century, the islands had a prominent
community of Jews, largely from Muslim Morocco. Sephardic Jews from
Morocco and Gibraltar set sail for Cape Verde in the mid 1800’s (after the
abolition of the Inquisition), in search of economic opportunity. During
their heyday in the mid to late 19th century, the Jews played pivotal
roles in the economy and administration of the islands. And to this day,
many descendants continue to distinguish themselves at the highest levels
in government, culture and commerce. For example, Carlos Alberto Wahnon de
Carvalho Veiga, voted in as Cape Verde’s first democratically elected
Prime Minister in 1991, was of Jewish descent.
Because the Jews were few in number and mostly male, many married local
Catholic women. As a result of this assimilation, Cape Verde today has
virtually no practicing Jews, even though many descendants express deep
pride in their Jewish ancestry. Prominent Cape Verdean businessman Daniel
Brigham, grandson of patriarch Abrao Brigham, once told me, “I am not a
religious man, but I try to follow the Ten Commandments. I am proud of my
Jewish rib.”
Many descendants of the Jewish families are collaborating on various
aspects of CVJHP’s mission. For example, Lisbon-based architect Rafael
Benoliel designed the blueprint to restore the Jewish cemetery of Boa
Vista and the Project logo. Several descendants serve on CVJHP’s board of
directors. And recognizing the symbolism of Moroccan Jewish patrimony on
Cape Verdean soil, King Mohammed VI of Morocco is a major benefactor of
the Project. In a world where tensions between Jews and Muslims tend to
overshadow our many points of convergence – theological, historical and
cultural – this gesture by a Muslim monarch, to recover Jewish heritage in
Catholic Cape Verde is inspiring.
Dozens of descendants and dignitaries recently attended the re-dedication
ceremony in May for the Jewish burial plot in Praia, the capital– the
first of four cemetery restorations that CVJHP is financing. The chief
rabbi of Lisbon, who officiated at the ceremony, blessed the deceased and
affirmed that in the Jewish tradition, creating and preserving burial
grounds is actually more important than building a house of worship. The
outpouring of pride from the descendants at the ceremony was gratifying –
as if the project reawakened in many a sense of pride and identity with
the Jewish people.
The encounter between the Sephardic Jews and the predominantly Catholic
Cape Verdean population in the 19th and early 20th centuries teaches us
lessons of tolerance and mutual respect. Unlike in many European
countries, the local people welcomed the Jews. By preserving their burial
grounds and documenting their contributions, we re-affirm Sephardic
history and celebrate Cape Verde’s rich cauldron of cultures. A local
resident who was following local television coverage of the Praia
rededication ceremony put it this way to me: “by preserving Jewish
heritage in Cape Verde, you are preserving Cape Verde’s history.”
LER AÇORES programa 30 Rodrigo de Carvalhode MEDIA9 AÇORESSem visualizações