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  • Estamos a ficar cada vez mais estúpidos. Somos facilmente enganados por um discurso populista”

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    Joao Paulo Esperanca

    36 mins

    Partilho desta ideia. Isto pode repetir-se num sítio qualquer – basta fechar os olhos.

    “Pensava que o ser humano aprendia com os erros, que evoluía e se tornava mais sábio, mas é o oposto”, diz o realizador de cinema Nicholas Oulman, em entrevista à VISÃO

    VISAO.SAPO.PT
    “Pensava que o ser humano aprendia com os erros, que evoluía e se tornava mais sábio, mas é o oposto”, diz o realizador de cinema Nicholas Oulman, em entrevista à VISÃO

    «Foi uma questão complicada com a qual me debati. A Península Ibérica era governada por ditadores fascistas. O regime oprimia os portugueses mas, para pessoas que vinham de um mundo horrível que as perseguia por serem o que são, Portugal era um paraíso. O olhar que elas tinham desse tempo não estava contaminado por políticas, governantes ou regimes. É o olhar puro de crianças. Relatam memórias boas de infância, não são insultadas, não há uma consciência, uma maturidade. Para elas, que eram perseguidas, que não podiam entrar em sítios públicos e não tinham comida, chegar cá e ter acesso a isso, e em segurança, era algo idílico, embora houvesse sempre receio de a Península ser invadida pelos alemães ou de elas serem recambiadas.
    (…)
    O documentário, apesar de ressalvar o fosso que deve separar a compreensão e o perdão, não cede a uma visão maniqueísta. Ou seja: também nele se contam histórias de alemães bons. Foi importante para si separar os seres humanos daquilo que eles representam?

    As coisas não são a preto-e-branco, há muitas zonas cinzentas na vida. Apesar de os alemães, enquanto povo, terem sido muito complacentes com o nazismo, ou terem mesmo fechado os olhos aos seus crimes, houve alemães que fizeram o que podiam para salvar outros seres humanos. Tenho alguma dificuldade em julgar… Um dos protagonistas diz algo como isto: “Eu não acho que aquilo aconteceu por eles serem alemães. Acho que aconteceria em qualquer sítio.” Partilho desta ideia. Isto pode repetir-se num sítio qualquer – basta fechar os olhos.

  • Fóssil com seis milhões de anos encontrado nos Açores – TSF

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    O fóssil pertencente à espécie Tusciziphius atlanticus, que habitou o Atlântico na passagem do Miocénico para o Pliocénico, entre 3,6 e 7,3 milhões de anos atrás.

    Source: Fóssil com seis milhões de anos encontrado nos Açores – TSF

  • Some of the best places to see ancient rock art and artefacts in Australia | NITV

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    1. Murujuga, Western Australia

    Source: Some of the best places to see ancient rock art and artefacts in Australia | NITV

    • The ancient Aboriginal rock art at the Burrup Peninsula is the world’s largest and oldest. (APP)
    Australia is home to the oldest and most significant art created by humans anywhere on the planet. Here are six incredible places to see these treasures up close.
    By

    Emily Nicol
    4 AUG 2017 – 12:26 PM UPDATED 4 AUG 2017 – 12:35 PM

    1. Murujuga, Western Australia

    WIth a stunning landscape of deep red earth set against azure blue sea and rocky coastal ridges, Murujuga also known as the Burrup Peninsula and the surrounding Dampier Archipelago is home to the highest concentration of rock art on the planet. Outdating the pyramids and Stonehenge, recent tests date this art as amongst the oldest existing anywhere. Traditional custodians are the Ngarluma Yindjibarndi, Wong-goo-tt-oo and Yaburara Mardudhunera peoples. WIth the combination of low rainfall and hard rock, a lot of the art here has remained well preserved in comparison to other sites with high erosion potential.

    The Burrup Peninsula

    The Burrup Peninsula, contains perhaps one million petroglyphs, that tell stories of the lives of Aboriginal people over many years (Facebook/StandupfortheBurr)

    2. Kakadu National Park, Northern Territory

    WIthin the Kakadu National Park, a World Heritage listed site – there are many significant rock art sites, including Ubirr – where some of the best examples of ‘xray art’ can be found, and Nourlangie and Nanguluwur where depictions including early contact with European peoples can also be found. WIth some sites open year round this area contains some of the oldest rock art found. Nearby in Mirrar country, archaeologists recently made the announcement that humans have inhabited the area for at least 65,000 years – 5,000 years more than previously thought. After excavating and testing thousands of Aboriginal artefacts from the Madjedbebe rock shelter , last month, it was found to contain ground-edge stone axe technology in the world and the oldest known seed-grinding tools in Australia among other discoveries.

    3. Ku-Ring-Gai Chase, New South Wales

    With a distinctively simple design, the rock engravings and art found at the Lambert Peninsula which number over 1500 in a relatively small area is said to be between 5,000- 7,000 years old. The area is of great significance to the Guringai people and large rock engravings of animals and also of the Red Hands Cave – well preserved handprints in ochre from the area of West Head, home to the Garrigal people. The walk through this site can be taken on your own, with markings and explainers along the way. One of the guides in Ku-Ring-Gai National Park, Les McLeod told The Guardian of the site, “A lot of Aboriginal people believe they were created from animals – there are engravings here of wallabies, fish and emus,” says McLeod. “Sydney sandstone is easy to engrave but easy to fade. The Guringai people would have visited a couple of times a year to re-engrave it.”

    rock art and engravings of the Guringai people of West Head in Ku-ring-gai Chase National Park

    Rrck art and engravings of the Guringai people of West Head in Ku-ring-gai Chase National Park

    4. The Kimberley, Western Australia

    This is where you will find Wandjina-style rock art, the unique depiction of large eye and mouthless face spirit figures that also include human characteristics, found nowhere else in the world. Also amongst the most ancient of art to be found, the Gwion Gwion style of art which is characterised by elongated figures can be found here also. WIth depictions including boomerangs, spears and more.

    A kangaroo rock art drawing in the Kimberley

    A kangaroo rock art drawing in the Kimberley. Photo from Macquarie University.

    5. The Grampians National Park, Victoria

    Containing more than 80% of the rock art in Southern Australia, this area features more than 60 art sites, where ‘4,000 different motifs have been identified’. Five main sites are open to the public including one of the state’s most important sites, Bunjil’s shelter which is within the Gariwerd, a spiritually significant area for the local Jardwadjali people. Said to be the creator of the land, people, plants and animals, Bunjil is depicted with reverence in this area. Located at a water hole nearby, Ngamadjidj is another area where remains of campfires and ancient stone tools have been uncovered, revealing the importance of the area and includes the only white ochre art in the National Park.

    Aboriginal rock art, Grampians National Park, Victoria, Australia

    Aboriginal rock art, Grampians National Park, Victoria, Australia

    6. Quinkan Country, Queensland

    The Quinkan and Regional Cultural Centre near Laura, located Two hours west of Cooktown – is a popular rock art site, listed as one of the top 10 rock art areas in the world, as ranked by UNESCO. Here you can find Quinkan stencils, engravings and paintings that date between 15,000 and 30,000 years old. You can also find more recent art depicting contact with Westerners. Quinkins are Aboriginal mythological beings and were also made well known through a children’s book telling the story of Quinkin country making this a great spot to come with kids who may have read the book.

    Famous for its rock art, Quinkan Country contains a large and dramatic body of prehistoric rock paintings. These galleries have been identified as being at least 15,000 to 30,000years old

    Famous for its rock art, Quinkan Country contains a large and dramatic body of prehistoric rock paintings. identified as being at least 15,000 to 30,000yrs old

    Connection to Country tells the story of mining industries threatening the the sacred sites and ancient rock art of majestic Pilbara region. Part of NITV & SBS’ #YouAreHere series airing on Sunday, 6 August at 8.30pm on NITV Ch. 34

    (mais…)

  • o esquecido holocausto asiático

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    MEDIUM.COM
    https://medium.com/dose/the-asian-holocaust-killed-twice-as-many-people-as-the-nazis-did-877f0a7c664
  • a estátua de Camões na Índia

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    Revisitar Goa

    7 hrs

    Statue of Luís Vaz de Camões in the centre of Saint Francis Xavier Square in 1962, after the Estado da Índia became part of India. Photo by Francis Millet Rogers . Image courtesy of the Fundação Calouste Gulbenkian , ‘Francis Millet Rogers 1962’ fonds, ref. no. (540.55) (084.121) ‘Estátua de Luís de Camões e o Mosteiro de São Francisco de Assis’.
    https://www.researchgate.net/…/Statue-of-Luis-Vaz-de-Camoes…

    Comments
    • José Bárbara Branco Depois de tentativas de dinamitação da estátua realizadas por extremistas indianos, a estátua de Luís de Camões encontra-se agora, cem metros atrás, no Museu em Velha Goa.
  • Visita Guiada AO ROMEU

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    Source: Visita Guiada

     

    COM UM GRANDE ABRAÇO AO JOÃO PEDRO MENERES MEU COMPANHEIRO D ELICEU (ALEXANDRE HERCULANO)

  • The tribe of Toulambis comes for the first time in contact with whites

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    The tribe of Toulambis comes for the first time in contact with whites

    1976, the Team Explorer Jean-Pierre Dutilleaux came for the first time in contact with the primitive tribe of Toulambis (Papua, New Guinea), whose members hadn’t ever come in contact with the outside world and neither had seen man with white skin. The camera captured the fearful and full of curiosity their reaction.

    (mais…)

  • MISSIONÁRIOS E COLONIZAÇÃO

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    Image may contain: one or more people and text
    Desacato

    4 hrs

    Eduardo Galeano

  • LUÍS GIL BETTENCOURT canta NATÁLIA CORREIA.

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    LUÍS GIL BETTENCOURT canta NATÁLIA CORREIA.

    Numa edição apoiada pela Cooperativa Praia Cultural e pela Câmara Municipal da Praia da Vitória, temos agora um CD de Luís Gil Bettencourt que diz, a cantar e acompanhado ao violão, com música sua, seis poemas de Natália Correia («Ode à Paz», «Em Cruz Não Era Acabado», «Falavam-me de Amor», «O Espírito» e «Projecto de Bodas»).

    Uma outra maneira de ouvir uma das grandes personalidades da poesia portuguesa do século XX, com a voz e o violão de um excelente (e para muitos, e ainda bem, polémico) músico açoriano. O CD foi apresentado ontem, na Praia da Vitória, no âmbito do Festival Outono Vivo:

    Image may contain: 1 person, text
    Image may contain: 1 person, smiling, playing a musical instrument and on stage