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Arquivo da Categoria: cultura arte fotografia cinema MUSICA teatro dança
ARTE
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Filme “Abandonados”. Produção RTP venceu 7 prémios de cinema
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O filme “Abandonados” produzido pela RTP já recebeu sete prémios de cinema. As últimas distinções aconteceram no Festival de Cinema Internacional de Vancouver, no Canadá e no Festival de Cinema Independente de Veneza, em Itália.
Source: Filme “Abandonados”. Produção RTP venceu 7 prémios de cinema
EUA-FILME-DE-FICCAO-EM-SAO-MIGUEL
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VASCO M ROSA CROWDFUNDING EDITORIAL E MERCADO DA ARTE
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Tentar ver mais além. Artigo X:
Terry Portugal Costa
Que horror! Se isto tivesse sido publicado na década de 1980 eu dava muito crédito. Hoje, tal como muitos sistemas e programas, está uns 40 anos atrasado! Concordo com muito que já escreveu, mas ler isto é uma desiluzão tremenda… e li duas vezes! A tal conversa em pessoa é mesmo necessária, porque não deviamos estar assim tão longe um do outro no espectro da cultura artística e literária.
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HELEN MIRREN E´RUSSA
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Ever wondered how a Russian-born girl named Ilyena Lydia Mironoff transformed into the indomitable Helen Mirren? Her journey didn’t start with red carpets or instant fame. No, Helen’s story is one of grit and grind, of stage lights and Shakespearean soliloquies.
From a young age, Helen’s family planted roots in England, where her love affair with acting blossomed. Forget swanky clubs; at 18, she was honing her craft with the National Youth Theatre. This wasn’t amateur hour – it was where future stars sharpened their skills. Helen? She blew them away. Soon, she was treading the boards with the Royal Shakespeare Company, where acting isn’t just a job, it’s an art form akin to wizardry.
For fifteen years, Helen immersed herself in roles both majestic and mundane, all while navigating the trials of a starving artist. But her dedication paid dividends. By the swinging sixties and disco-lit seventies, she was a titan of the British stage, collecting accolades like seashells on a beach.
Yet, Hollywood? It remained a distant shore. Helen took roles in TV and film, yes, but her ascent to global stardom awaited its cue. It wasn’t until the vibrant eighties and nineties that her cinematic presence began to match her theatrical prowess. With each role, she demanded attention, until finally, in the early 2000s, the world couldn’t look away. “The Queen,” “Gosford Park” – these were not just films; they were coronations for an actress who’d earned her crown.
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Tous les garçons, não é Bob Dylan? – A Página Negra de Manuel S. Fonseca
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“Não há amores felizes”, canta com uma estóica e tão bela resignação Françoise Hardy. Mas será que pode haver “desamores felizes”? Os amores de Françoise, cinco contadinhos pelos dedos de uma mão, …
Source: Tous les garçons, não é Bob Dylan? – A Página Negra de Manuel S. Fonseca
ARTE SURREAL
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talento
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